A subject specialist network promoting folklore collections and intangible cultural heritage across the museum sector
A new Folklore Survey of England will be designed and delivered in a new exciting project.
The National Folklore Survey funded by UKRI Arts & Humanities Research Council (AHRC) addresses the lack of robust research evidence into the cultural value of folklore in post-Brexit, post-pandemic, multicultural England. It aims to create new data to answer two research questions: ‘How have folkloric beliefs and practices shaped England’s social, cultural and spiritual identity?’ and ‘To what extent are ideas of nationalism and colonial attitudes informed by contemporary notions of English folklore?’.
The project is led by Dr David Clarke and Co-leads are Dr Diane Rodgers from the Centre for Contemporary Legend at Sheffield Hallam University, Dr Ceri Houlbrook and Professor Owen Davies, who founded the MA Folklore Studies at the University of Hertfordshire. The project’s international Co-Lead is Professor Christopher Bader, chair of the Department of Sociology, Chapman University, California, who has directed two large belief surveys in the USA.
The project aims to capture an accurate snapshot of the folklore of multicultural England and gain a new understanding of the impact of colonial and empire narratives on previous surveys. The timing is important as 2024 marks the 60th anniversary of the original Survey of Language and Folklore at the University of Sheffield and the ratification by the UK Government of the UNESCO convention for Safeguarding of the Intangible Cultural Heritage (ICH).
The new survey will produce new knowledge, insights and understanding of contemporary English folk culture at a time when many individuals and communities feel what historian and broadcaster David Olusoga has described as ‘a conflicted sense of identity’. The overarching project aim is to provide an empirical evidence base for the analysis of contemporary English folklore through the development and deployment of a national survey, commissioned from IPSOS-UK, in the first year of this project. The rich dataset will be used to develop a range of accessible outputs for the academic, policy, heritage sectors and wider general publics that will raise awareness of the value of folklore as a cultural asset. This will be accessible via an online platform for data gathering, along with open data analysis after the initial survey is completed. This will be followed, in the second year of the project, by a public engagement/outreach programme to create and capture evidence of impact.
Direct beneficiaries include: The Department for Digital, Culture, Media and Sport (DCMS), via the planned ratification of UNESCO Convention on Intangible Cultural Heritage; the AHRC-funded Folklore Without Borders network that is working to develop greater diversity within folklore; and the GLAM sector (galleries, libraries, archives and museums) via our knowledge exchange with project partners The Folklore Society, The Folklore Library and Archive, and the Folklore Museums Network (FMN).
Dr. Peter Hewitt, of the FMN said: "Since 1960 there has been a 300% growth in museums (including displays in museums) that deal with belief and identity - this is around one third of all museums in England[1]. This new National Folklore Survey will create datasets that will enable new and accurate museum displays, charting change and continuity in English society. This survey will provide amazing, rich information about the state of folklore in the country today, and give museum curators incredible material to work into their interpretation and displays. We are really looking forward to working with David and the team to raise awareness of the #NFS and its findings across the museum sector."
#NFS lead contact email: david.clarke@shu.ac.uk
[1]Fiona Candlin et al, Mapping Museums 1960–2020: A report on the data, p. 20 (Birkbeck, University of London 2020)
Image © Andrew Robinson 2024
An innovative project involving the Pitt Rivers Museum, MOLA, the Folklore Museums Network, independent curators, artists, academics, and members of the pagan community, has recently published a series of outcomes and guidance material.
Follow this link to find blogs, videos, and articles, that illustrate a variety of strategies for engaging with 'spiritually invested' communities and artefacts in the museum.
‘Amulets, charms, and witch bottles: Thinking about ‘magical’ objects in museum collections through collaborative interaction between academics and curators with Pagans, witchcraft practitioners and other communities with spiritual investment’ and is a MOLA Impact Acceleration Account project supported by the Arts and Humanities Research Council (AH/X003523/1).